In a song in C major, the chord should not exist. The scale has no , and the fifth degree of C is . And yet it turns up constantly — almost always right before .
The reason is simple: is the dominant of . It is not serving the key, it is serving the next chord. The tritone it carries, –, resolves by contrary motion — and the ear does the rest on its own.
Click any symbol in the text to hear it. No images: every object is computed by the core and knows which concept it belongs to.
